Don't Bite the Hand That Feeds

tell me honestly....what do you think? I tried to go for the comic book feel but I really just don't know if it works in any sense.
this is a worked version, less pixelated

Sunsets

Artists

George Tice recently marked his fortieth year in photography. Born in Newark, New Jersey, in 1938, he joined the Cateret Camera Club at the age of fourteen. At sixteen he left high school to work as a darkroom assistant for a photo studio. A year later he enlisted in the U.S. Navy, serving as a photographer's mate, after which he worked as a home portrait photographer for ten years.

Born in New York in 1923, Richard Avedon dropped out of high school and joined the Merchant Marine's photographic section. Upon his return in 1944, he found a job as a photographer in a department store. Within two years he had been "found" by an art director at HARPER'S BAZAAR and was producing work for them as well as VOGUE, LOOK, and a number of other magazines. During the early years, Avedon made his living primarily through work in advertising. His real passion, however, was the portrait and its ability to express the essence of its subject.

Joel-Peter Witkin is a photographer whose images of the human condition are undeniably powerful. For more than twenty years he has pursued his interest in spirituality and how it impacts the physical world in which we exist. Finding beauty within the grotesque, Witkin pursues this complex issue through people most often cast aside by society -- human spectacles including hermaphrodites, dwarfs, amputees, androgynes, carcases, people with odd physical capabilities, fetishists and "any living myth . . . anyone bearing the wounds of Christ." His fascination with other people's physicality has inspired works that confront our sense of normalcy and decency, while constantly examining the teachings handed down through Christianity. His constant reference to paintings from art history, including the works of Bosch, Goya, Velasquez, Miro, Botticelli and Picasso are testaments to his need to create a new history for himself. By using imagery and symbols from the past, Witkin celebrates our history while constantly redefining its present day context.


Diane Arbus
She revolutionized photography by taking pictures of strange subjects.

After separating from her husband, Arbus studied with Alexey Brodovitch and Richard Avedon. Beginning in 1960, Arbus worked extensively as a photojournalist, her photos appearing in Esquire, The New York Times Magazine, Harper's Bazaar and Sunday Times magazines, among others. Her first public work was an assignment by Esquire editor and art director Robert Benton. Published under the title, "The Vertical Journey: Six Movements of a Moment Within the Heart of the City", consisting of six portraits of an assortment of New Yorkers. Arbus would go on to collaborate with Hayes and Benton (and Benton's successors) for 31 photographs in 18 articles.^{[citations needed]}

Jeff Koons
Jeff Koons was born in York, Pennsylvania in 1955. He studied at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. He received a BFA from the Maryland Institute College of Art in 1976. Mr. Koons lives and works in New York City and York, Pennsylvania.